It’s a shame this film seems to be the only achievement of that growth. It’s an evolution to the original show, willing to push on the horror the franchise is built on. Scooby-Doo on Zombie Island is akin to Scooby-Doo, Where Are you! going to college, spending countless nights partying, getting up early to class, and finally walking on that graduation stage with a diploma. It’s how the film injects the situation with enough realism to seem like a live-action horror film while still staying true to the animation. Individually, viewers see these characters in a new light, facing challenges that their more childlike versions wouldn’t have. These are not adults combating violent and life-threatening forces that derived from violence itself. This was no longer kids solving mysteries of corrupt people.
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Watching the gang in a grown-up setting only added to the realism of the plot. By referencing some of these horror films in the film’s aesthetic makeup and making its own, Scooby-Doo on Zombie Island is leaving behind its mark in the horror genre. Even the point-of-view shots of Fred Jones’s camera, voiced by Frank Welker ( The Jetsons), is a callback to the found footage element of horror films like Daniel Myrick and Eduardo Sánchez’s The Blair Witch Project. Even in its live-action depictions of Scooby-Doo, there wasn’t as much emphasis on the “horror” of the plot as there is in this film.
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Some of the camera movements themselves are often shaky and jarring for viewers, depicting images of disorientation and panic.Įlements like carvings on the wall resembling “REDRUM” from Stanley Kubrick’s The Shining, depictions of violence, the actual use of mystical creatures like werewolves, depart from the regular format of the series and other films. With its gloomy and dingy look, disorienting animation and characters’ movements, and grotesque depictions of wolves, the film lends itself to be the most terrifying yet.
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Aesthetically, the choices were those in most live-action horror films like Train to Busan or The Last Day. Most of the colors are grungy and dull in tone, matching the darker nature of the narrative. RELATED: 8 Cartoons Horror Fans Are Sure to LoveĪll these elements of voodoo, curses, and zombies translate into the visual nature of the animated film. The pivot from the show’s and other films’ more childlike aesthetic and narrative choices to a more ominous take resulted in the film’s longevity. Two things suggest why this film remains so crucial to the conversation of horror in animation: its complete shift in aesthetic choices and the transformative maturity of its lead characters. Here, the horrors and plastic monster costumes become very real. The film deviates from that lore of final “unmasking,” revealing a culprit. Nevertheless, in Jim Stentrums’s 1998 Scooby-Doo on Zombie Island, a notable shift in tone and aesthetic departs from its source material. Throughout every version, the running gag has been in that final unmasking, where the villain underneath the monster costume is just the angry form of someone looking for revenge.
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From there, there have been several iterations of the show in the form of spin-offs and live-action films.
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Starring young friends Fred, Daphne, Velma, Shaggy, and Scooby, viewers were treated to an episode-by-episode mystery since its creation in 1969, created by Joe Ruby and Ken Spears. The Mystery Gang from the Scooby-Doo Where Are You! franchise is a cultural staple for animation’s “who done it” genre.